"Please Kill Me, I'm a Faggot Nigger Jew" (1996)

The viewer enters the Internet along with the producer, who uses a pseudonym in order to interview people who engage in a highly problematic and taboo practice: Nazi-fetish-based sadomasochism. Video images created directly on the computer and stories from the artist's memory ask such questions as: How does history affect the body? How are cultural memories transmitted? And, when historical events become part of a culture's discourse, how does the meaning of the original event shift?